It's Day 25 of our 30 Days of Diverse Picture Books. Tonight's Thanksgiving Eve, and there's a lot of excitement in our house thanks to a four-day break from work and school. I don't know about you, but these days I feel more pressure and more busy-ness every day - it's exceedingly wonderful to know we have a few days to rest, relax, enjoy one another's company.
Tonight's pick is Joseph Bruchac's Buffalo Song, a title that honors the Native peoples of our land, and commemorates the work they did to rebuild the great buffalo herds that once called North America home. It's important to note that Bruchac is himself Abenaki, which makes him a cultural insider and therefore capable of avoiding all the stereotypes that so frequently surround depictions of Native Americans in children's books. Bruchac's title is one I've been anxious to share, not only because it comes highly recommended by sources I trust, but also because it's sensitive and thoughtfully written.
Expect some questions with Buffalo Song -- after all, in the opening pages, a young calf is orphaned by white hunters who kill her mother and herd. But the story, ultimately, is one of hope and honor, as it tells of Salish tribal member Walking Coyote and his wife Mary, who among others gave much of themselves to foster the then-declining buffalo population in the late 1800s. Bruchac examines the obstacles Walking Coyote faced, and doesn't gloss over the difficulties, which makes this a great title for discussing how we as individuals can remain committed to a vision and follow it through to an ending that really can change the world.
Buffalo Song carries a message that I think we all really need to hear right now. And that it celebrates Native peoples makes it an essential title for any diverse collection.
Buffalo Song by Joseph Bruchac, published by Lee & Low
Showing posts with label history. Show all posts
Showing posts with label history. Show all posts
Wednesday, November 26, 2014
Monday, November 3, 2014
30 Days of Diverse Picture Books - Little Melba and Her Big Trombone by Katheryn Russell-Brown
It's Day 3 of 30 Days of Diverse Picture Books. We're having a great time rereading some old favorites and checking out new books in order to select the titles for our 30 Days. Terrific stuff is coming your way!
Today's pick is a new title by debut picture book author Katheryn Russell-Brown -- Little Melba and Her Big Trombone. Russell-Brown joins the ranks of a number of authors who have turned the lives of Black Americans into engaging picture book material. In this case, Russell-Brown tells the story of Melba Liston, the first woman to achieve prominence in the jazz scene for her trombone playing.
And what playing it was! The book takes us back to Melba's youth, growing up in Kansas City "where you could reach out and feel the music". Melba longed to play an instrument, so her mother bought her a trombone. Melba set about teaching herself everything there was to know about that horn, achieving prominence as a composer and performer who worked with famous musicians of all sorts.
Melba Liston was a trailblazer, and it's wonderful to see her story brought so vividly to life (we especially love the jazz-infused style of illustrator Frank Morrison). Read this one with your kiddos and get ready to dance - 'cause Melba's story won't keep you in your seat for long!
Little Melba and Her Big Trombone by Katheryn Russell-Brown, published by Lee & Low
Today's pick is a new title by debut picture book author Katheryn Russell-Brown -- Little Melba and Her Big Trombone. Russell-Brown joins the ranks of a number of authors who have turned the lives of Black Americans into engaging picture book material. In this case, Russell-Brown tells the story of Melba Liston, the first woman to achieve prominence in the jazz scene for her trombone playing.
And what playing it was! The book takes us back to Melba's youth, growing up in Kansas City "where you could reach out and feel the music". Melba longed to play an instrument, so her mother bought her a trombone. Melba set about teaching herself everything there was to know about that horn, achieving prominence as a composer and performer who worked with famous musicians of all sorts.
Melba Liston was a trailblazer, and it's wonderful to see her story brought so vividly to life (we especially love the jazz-infused style of illustrator Frank Morrison). Read this one with your kiddos and get ready to dance - 'cause Melba's story won't keep you in your seat for long!
Little Melba and Her Big Trombone by Katheryn Russell-Brown, published by Lee & Low
Sunday, January 26, 2014
Multicultural Children's Book Day - Review of Dreaming Up!
I'm SO excited about this event, folks - tomorrow, January 27, 2014 is Multicultural Children's Book Day. Dreamed up by the amazing bloggers Mia from Pragmatic Mom and Valarie from Jump Into a Book, this is an event designed to bring awareness and attention to the importance of multicultural literature in the world of children. You'll want to visit both Pragmatic Mom and Jump Into a Book tomorrow for all the Multicultural Children's Book Day festivities.
Of course you know this is an issue near and dear to my heart - the need for diversity in literature is what prompted me to begin writing Sprout's Bookshelf and what drives me to continue to seek out quality multicultural books for Sprout and other kids. I'm fortunate now to work in a library system, where a part of my job is ordering all the picture books for our branches. And I can tell you that, while there are some amazing multicultural books being published each year (you'll see proof of that from Multicultural Children's Book Day sponsors Susan Fayad and publishers Wisdom Tales, Chronicle Books, and Lee & Low), it's just not enough. Diverse books not only provide much-needed mirrors for children of color to see themselves reflected in literature, they also give white children a window into the experience of others. And that's vital if we are to raise sensitive, compassionate kids who are global citizens.
I read a whole lot of multicultural kids books over the course of a year and keep lists of hundreds more (check out our Pinterest boards for proof!), so it's never hard for me to find something to recommend when asked for a good pick. I find that some publishers are easy to rely on for thoughtful reads that incorporate diversity seamlessly into the storyline or characters. Lee & Low has long been a go-to publisher for me, and their recent book Dreaming Up: A Celebration of Building was no exception. Author Christy Hale has pulled off an incredible feat with this title -- I mean, who would think that a book about architecture could be not only accessible to the picture-book set, but also a page-turner? But Dreaming Up is just such a book.
Right from the cover you know this title is going to be somewhat different. It features an illustration of a brown-skinned youngster building a block tower, against a field of photos of famous buildings. Inside, Hale presents the concept -- on the lefthand side of each spread, an image of children creating their own structures from familiar materials, and on the righthand side, a photograph of a landmark piece of architecture that mirrors the children's creation. Thus, kids who are stacking cups into spires are set opposite a photo of the Petronas Twin Towers in Kuala Lumpur. A house of sticks built by two girls flanks a picture of the Bamboo Church in Cartagena, Colombia. And best of all, each spread features a snippet of poetry, artfully arranged in a way that sets off the shape of the building being shown, and which suits the tone of the landmark as well.
I'm hard pressed to say just how terrific this title is, as a resource and as an inspiration. Sprout's eyes lit up when we explained the concept to him. He was every bit as fascinated by the book itself as with the glossary at the end, which shows each building along with the architect who designed it, and gives a brief history of creator and creation. I especially love the quote Hale includes from architect Nader Khalili, who said, "Everything we need to build is in us, and in the place." To me, that sums up the essence of Dreaming Up -- that the seeds that are planted in children as they play, take root in later life, when inspiration of place and material are married with those early dreams.
I love the thought that Dreaming Up may inspire a generation of future architects, designers, engineers, creatives of every sort. And I especially love that when we looked at the faces of all these great men and women, who designed such iconic pieces of artwork, Sprout pointed out that, "They all look different, Mom. And that man (Ghanian architect David Adjaye) looks like me!" Therein, my friends, is the power of diversity -- the dream made possible, viewed through windows and in mirrors.
Dreaming Up: A Celebration of Building, by Christy Hale, published by Lee & Low Books
Ages 4-7
Source: Library
Highly recommended
Thursday, January 16, 2014
Martin & Mahalia : His Words, Her Song by Andrea Davis Pinkney & Brian Pinkney
It's no secret that there are a lot of great books out there about Martin Luther King Jr. I've written about plenty here on my blog, and I've even done features for other blogs full of titles celebrating this amazing man. Dr King's life is rich in elements that make a good story, the kind kidlit authors can't resist, and that's probably why there are so many great books out there.
But with an abundance of excellent works, with more being published each year, it's kind of hard to find a fresh approach. Yet, that's exactly what bestselling authors Andrea Davis Pinkney and Brian Pinkney have done in their new book Martin & Mahalia: His Words, Her Song. And they did it by combining the story of one incredible preacher, Martin Luther King Jr., with that of a woman whose voice was heaven on earth, Mahalia Jackson.
Kids to whom this book is targeted will no doubt recognize the name of the first subject here, but likely very few will know the second. No matter: the Pinkneys do a fantastic job of setting the stage for Martin and Mahalia's work together by beginning when both were children. Each excelled in their own way: Martin through his oratory skills and Mahalia through her musical talents. Both used their gifts to spread the message of the gospel, of peace and hope and love to all. And they did this in the South, in the time of Jim Crow, when things were, as Andrea Davis Pinkney puts it, "Separate, but nowhere near equal."
Both Martin and Mahalia looked around and saw that things needed to be different, that there needed to be equality and freedom for all Americans. And so their common mission brought them together, first as part of the Montgomery Bus Boycott, and then for the March on Washington. I love the imagery that the Pinkneys use for the March, the way they set the stage with the marchers walking stoically on even as hecklers jeered and tried to distract them. Once in place at the Lincoln Memorial, Mahalia used her "brass and butter" voice to draw the crowd together, to focus and settle them. And then Martin delivered what is arguably one of the best-known pieces of oration in the history of our country, and one which brings chills to me even now, the "I Have a Dream" speech.
As always with a Pinkney collaboration, this title relates historical detail in a way that keeps readers turning pages, but never shortcuts the facts. It's bolstered by an afterword by both author and illustrator, plus an historical timeline and suggestions for further reading and listening. I wouldn't be surprised to see Martin & Mahalia on awards lists this year, it's that well-executed. Brian Pinkney's illustration of the crowd on the National Mall is one of the last in the book, and it is jaw-dropping. His use of abstract shapes and swirling colors, coupled with the imagery of the dove that carries throughout the book, brings home the power and peace of that day.
Together Martin and Mahalia, each gifted in their own unique way, made the March on Washington a defining moment in the Civil Rights Movement, and one that our country will never forget. And I'm in awe of the way the Pinkneys have captured that partnership through their own, a marriage of Andrea's lyrical prose and Brian's arresting images. This book, like its subjects, won't soon be forgotten.
Martin & Mahalia: His Words, Her Song by Andrea Davis Pinkney & Brian Pinkney, published by Little, Brown
Ages 7-10
Source: Library
Sample: "Martin's sermons and Mahalia's spirituals told their listeners: You are here. On the path. Come along. Step proud. Stand strong. Be brave. Go with me. To a place, to a time, when we all will be free. People listened and believed."
Highly Recommended
But with an abundance of excellent works, with more being published each year, it's kind of hard to find a fresh approach. Yet, that's exactly what bestselling authors Andrea Davis Pinkney and Brian Pinkney have done in their new book Martin & Mahalia: His Words, Her Song. And they did it by combining the story of one incredible preacher, Martin Luther King Jr., with that of a woman whose voice was heaven on earth, Mahalia Jackson.
Kids to whom this book is targeted will no doubt recognize the name of the first subject here, but likely very few will know the second. No matter: the Pinkneys do a fantastic job of setting the stage for Martin and Mahalia's work together by beginning when both were children. Each excelled in their own way: Martin through his oratory skills and Mahalia through her musical talents. Both used their gifts to spread the message of the gospel, of peace and hope and love to all. And they did this in the South, in the time of Jim Crow, when things were, as Andrea Davis Pinkney puts it, "Separate, but nowhere near equal."
Both Martin and Mahalia looked around and saw that things needed to be different, that there needed to be equality and freedom for all Americans. And so their common mission brought them together, first as part of the Montgomery Bus Boycott, and then for the March on Washington. I love the imagery that the Pinkneys use for the March, the way they set the stage with the marchers walking stoically on even as hecklers jeered and tried to distract them. Once in place at the Lincoln Memorial, Mahalia used her "brass and butter" voice to draw the crowd together, to focus and settle them. And then Martin delivered what is arguably one of the best-known pieces of oration in the history of our country, and one which brings chills to me even now, the "I Have a Dream" speech.
As always with a Pinkney collaboration, this title relates historical detail in a way that keeps readers turning pages, but never shortcuts the facts. It's bolstered by an afterword by both author and illustrator, plus an historical timeline and suggestions for further reading and listening. I wouldn't be surprised to see Martin & Mahalia on awards lists this year, it's that well-executed. Brian Pinkney's illustration of the crowd on the National Mall is one of the last in the book, and it is jaw-dropping. His use of abstract shapes and swirling colors, coupled with the imagery of the dove that carries throughout the book, brings home the power and peace of that day.
Together Martin and Mahalia, each gifted in their own unique way, made the March on Washington a defining moment in the Civil Rights Movement, and one that our country will never forget. And I'm in awe of the way the Pinkneys have captured that partnership through their own, a marriage of Andrea's lyrical prose and Brian's arresting images. This book, like its subjects, won't soon be forgotten.
Martin & Mahalia: His Words, Her Song by Andrea Davis Pinkney & Brian Pinkney, published by Little, Brown
Ages 7-10
Source: Library
Sample: "Martin's sermons and Mahalia's spirituals told their listeners: You are here. On the path. Come along. Step proud. Stand strong. Be brave. Go with me. To a place, to a time, when we all will be free. People listened and believed."
Highly Recommended
Monday, November 11, 2013
30 Days of Picture Books - Grandpa Green by Lane Smith
It's Day 4 of our 30 Days of Picture Books series. Today's pick is a title that I haven't read with Sprout - yet. I know, that's a little unusual for me. But this book honestly gets me so emotional that I'm barely able to read it on my own without crying, so I'm not sure how I'd ever get through reading it aloud. My husband bought it for me last Christmas, and it's a treasured part of my own collection that will, someday, be shared with Sprout.
But I wanted to share Lane Smith's Grandpa Green with you, dear reader, because it's the perfect book for Veteran's Day. The story is poignant and lyrical, laced with the hints of memories shared and stories long past. Narrated by his great-grandson, the book tells of the story of a young boy who grew up on a farm, having adventures and living an everyday life (complete with chicken pox). The boy became a man who wanted to study horticulture, but a war got in his way; instead he went to France, fell in love, got married, had a family. The man grew old, and started to forget things - luckily he found a way to blend his memories into his landscape, and keep the past alive.
My description cannot in any way do this book justice, because the text and Smith's winsome illustrations blend together to create the entire experience of the story. (It won a Caldecott Honor - need I say more about the absolutely breathtaking nature of this pictures?) We watch Grandpa Green's grandson as he wends his way through the garden, narrating the events of his great-grandpa's life in the manner of one who has heard the stories all his life. The intensity of familial feeling permeates the story, and we feel what the boy feels - by the end, you'll love Grandpa Green just as much as our hero does.
Smith leaves the door open for all sorts of discussions at the end of this: talking about aging, family history, relationships, and the fragile nature of memory. Kids will draw their own conclusions about the story's themes, as will adults, but one thing is clear: this is an homage to remembrance, to honoring the lives and sacrifices of those who came before. And that makes it the perfect choice for today: Veteran's Day, when we stop to remember our freedom, and the price at which it comes.
Friday, November 8, 2013
30 Days of Picture Books - Locomotive by Brian Floca
Well hello again! It's nice to be back to real life after a WONDERFUL family vacation. Our lives are so busy in the everyday rush of trying to get things accomplished that Hubs and I always feel better when we're able to step back, get away and reconnect. It was a great chance to be together as a family and hopefully make some lasting memories for Sprout. But of course even the best vacations have to end, and truth be told I'm a bit relieved to pick up our normal routine (at least, it will be normal once I catch up on all that email!).
Since I was so crazy busy before we left that I hardly had time to blog, I've got a nice big batch of books I'm bursting to write about, which is perfect timing for this year's 30 Days of Picture Books. I started this feature last November to tie into Picture Book Month: a time of the year when authors, illustrators, reviewers, bloggers, teachers, librarians and aficionados all turn the spotlight on this unique and critical format. It's no secret that we adore picture books, and I can't ever imagine a time when we won't be reading and sharing them. And a big part of our mission here at Sprout's Bookshelf is telling everyone how vital picture books are in the life and development of young children. I honestly believe the saying that "children are made readers on the laps of their parents" (Emilie Buchwald), and picture books are the vehicle that makes that interaction possible. The best thing is, picture books are easily accessible for everyone, parents and kids alike - just check out your library for loads of good stuff!
(Thanks to vacation, we're getting a late start on our 30 Days of Picture Books - but no worries, because you'll still get the full 30 picks, just overlapping into December, okay?)
First up is a book that might not fit exactly into everyone's definition of a picture book. Oh, it's plenty full of illustrations all right, and gorgeous ones at that. But it's also very text-heavy, so it's the kind of picture book that often ends up lurking around in the nonfiction area of the library or bookstore, which doesn't receive near enough love, in my humble opinion. I'm describing Brian Floca's latest wonderwork Locomotive, a title that every train-obsessed child and adult absolutely must lay eyes on, post-haste. Seriously. Sprout was so blown away by this book when we first read it, that he would hardly let me close the cover, and then proceeded to pore over it for at least an hour afterward.
Floca focuses on a rail journey from Omaha to San Francisco, in the summer of 1869. He really knows how to draw readers into the story, making them feel that they are actually on the train themselves. Most of this is accomplished by his spectacular illustrations, which have a photographic feel to them but also capture the humanity of his characters. But the text is also a big part of the immersive experience Locomotive offers. It reads like poetry, in small bursts that match the power of the big engine and the splendor of the landscape depicted. And the design work is fantastic - we love the way the font and type size is varied to emphasize certain portions (the page with the "rickety, rickety, rickety" trestle bridge is a total favorite!).
Locomotive definitely tops the list of the most stunning picture books we've read this year. If you need a gift for a young history or transportation fan this holiday season, look no further than Floca's newest book -- and don't be surprised if you see it on a "best of" list or two this year!
Locomotive by Brian Floca, published by Simon and Schuster
Since I was so crazy busy before we left that I hardly had time to blog, I've got a nice big batch of books I'm bursting to write about, which is perfect timing for this year's 30 Days of Picture Books. I started this feature last November to tie into Picture Book Month: a time of the year when authors, illustrators, reviewers, bloggers, teachers, librarians and aficionados all turn the spotlight on this unique and critical format. It's no secret that we adore picture books, and I can't ever imagine a time when we won't be reading and sharing them. And a big part of our mission here at Sprout's Bookshelf is telling everyone how vital picture books are in the life and development of young children. I honestly believe the saying that "children are made readers on the laps of their parents" (Emilie Buchwald), and picture books are the vehicle that makes that interaction possible. The best thing is, picture books are easily accessible for everyone, parents and kids alike - just check out your library for loads of good stuff!
(Thanks to vacation, we're getting a late start on our 30 Days of Picture Books - but no worries, because you'll still get the full 30 picks, just overlapping into December, okay?)
First up is a book that might not fit exactly into everyone's definition of a picture book. Oh, it's plenty full of illustrations all right, and gorgeous ones at that. But it's also very text-heavy, so it's the kind of picture book that often ends up lurking around in the nonfiction area of the library or bookstore, which doesn't receive near enough love, in my humble opinion. I'm describing Brian Floca's latest wonderwork Locomotive, a title that every train-obsessed child and adult absolutely must lay eyes on, post-haste. Seriously. Sprout was so blown away by this book when we first read it, that he would hardly let me close the cover, and then proceeded to pore over it for at least an hour afterward.
Floca focuses on a rail journey from Omaha to San Francisco, in the summer of 1869. He really knows how to draw readers into the story, making them feel that they are actually on the train themselves. Most of this is accomplished by his spectacular illustrations, which have a photographic feel to them but also capture the humanity of his characters. But the text is also a big part of the immersive experience Locomotive offers. It reads like poetry, in small bursts that match the power of the big engine and the splendor of the landscape depicted. And the design work is fantastic - we love the way the font and type size is varied to emphasize certain portions (the page with the "rickety, rickety, rickety" trestle bridge is a total favorite!).
Locomotive definitely tops the list of the most stunning picture books we've read this year. If you need a gift for a young history or transportation fan this holiday season, look no further than Floca's newest book -- and don't be surprised if you see it on a "best of" list or two this year!
Locomotive by Brian Floca, published by Simon and Schuster
Tuesday, September 3, 2013
Nelson Mandela by Kadir Nelson {Picture Book of the Day}
I'm thrilled to be participating in the Picture Book of the Day project with a host of other awesome kidlit bloggers! This is a very cool meme that is great for building your library list -- each day a different blogger posts his/her picture book choice, which is shared via Facebook (you can also follow the picks on Pinterest). I've shared many of these in the past, and have found some terrific books for Sprout from the daily meme, so I'm especially excited to be part of the project this year!
For my first daily pick, I'm pulling out the big guns: Kadir Nelson's new picture book, Nelson Mandela.
For my first daily pick, I'm pulling out the big guns: Kadir Nelson's new picture book, Nelson Mandela.
It's hard to imagine how any reader could not just fall in love with Kadir Nelson's work after reading any of his books, but this one in particular seems to prove the benchmark of his talents. Naturally his breathtaking paintings are on full display here -- Sprout's favorite is the cover image, which honestly I could stare at myself for hours as well. But his narrative skills also come into the forefront again, as we read of the background and history of Mandela, from his early days as a barefoot boy playing at fighting, to his years imprisoned for the cause he could not abandon. Each image and its accompanying prose shows a facet of Mandela's life that will build in readers the admiration Kadir Nelson so clearly holds, for a man whose tireless fight at last culminated in a free South Africa.
Explaining to Sprout just what Mandela was fighting for was a little tricky; while he knows that people come in all different colors (and shapes, sizes, ages, abilities, etc.), it was hard for him to understand that some people are benefited by the hue of their skin while others suffer for it. Honestly I didn't force the issue too much, but neither do we sugarcoat these things with Sprout. It will be a feature of his life in this country, where he is bound to bear the weighty history of African Americans and their struggle for equality. So for him, the two spreads that most hit home were the first image of a "whites only" beach, followed by one later in the book where families of all colors enjoy the sand and surf. He lingered on the integrated image, and I can only guess at the message Sprout internalized from that.
My hope is that parents and teachers (and librarians too) will share Nelson Mandela with young readers not just as history lesson or a snippet about a great man. Though Mandela is without question the latter, I believe that the message of his life's work is larger than that - it's one that we need to carry forward into all our interactions of everyday life. Because open or hidden, racism is about fear, and only light will drive out that kind of darkness.
Slip this title into your book basket for bedtime, or for your kiddos to browse in the car. Let your middle schoolers read it, and share it aloud with your preschoolers as well. And read it yourself, for history and memory and celebration of one man, one extraordinary ordinary man, who saw a wrong in his society and never gave up the dream to change it.
Ages 4-8 (and up)
Source: Library
Sample: "Rolihlala played barefooted on the grassy hills of Qunu. He fought boys with sticks and shot birds with slingshots. The smartest Madiba child of thirteen, he was the only one chosen for school. His new teacher would not say his Xhosa name. She called him Nelson instead."
Highly recommended
Sunday, April 28, 2013
Wind Flyers by Angela Johnson {The Children's Bookshelf}
Three years ago next month, I flew home from Ethiopia with a chubby-cheeked baby boy that had just joined our family. I was so worried before the trip about how he would react to the air travel, but I needn't have been - he settled right in like he was born to cruise through the clouds.
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This post is part of The Children’s Bookshelf, a weekly linky party with the goal of connecting parents with great books for their kids. Do you have a book review, literacy or book-related post that you think will be helpful for parents? If so, please add your link below.
NOTE: By linking up you are giving permission for any of the co-hosts to pin and/or feature a your photo on a future The Children’s Bookshelf post. Kindly link up to an individual post, not your blog’s homepage. The hosts reserve the right to delete any links to homepages, commercial links, repeat links or otherwise inappropriate links. Thank you for your understanding.
You can also follow The Children’s Bookshelf on Pinterest or visit TCB’s co-hosts: Sprout’s Bookshelf, What Do We Do All Day?, No Twiddle Twaddle, Smiling Like Sunshine, My Little Bookcase, The Picture Book Review, MemeTales and Mouse Grows, Mouse Learns. You can find more details here.
And thus began a love affair between my son and airplanes. He just adores them. We live quite near a regional airport, and for a long time now, just about every time a plane goes over, Sprout rushes to the window to see if he can catch a glimpse. We've been on a couple of family vacations since he came along, and Sprout's favorite destinations are "fly-away" ones -- sometimes I think he likes the airplane part better than the actual vacation!
So it's no surprise that a recent library find, Wind Flyers, was a huge hit with him. Honestly, even if it wasn't about air travel I think it would have been a winner, seeing that it was created by two award-winning kidlit luminaries: author Angela Johnson and illustrator Loren Long. But the fact that the cover features a young boy and his dog climbing aboard a yellow-and-red barnstormer? That just put Sprout over the top.
Johnson adopts an introspective tone with this tale, narrated by a boy who is telling the story of his great-great-uncle, who all his life wanted to fly. As a lad Uncle would do just about anything to try to touch the clouds, including jumping out of a barn window (don't worry, he landed safely in a mound of hay). When he grew up, Uncle enlisted as a Tuskegee Airman, flying missions in World War II in the famous squad of African American pilots. "We were something." Uncle tells his young nephew. "Some of us didn't come back, but we never lost a plane we protected." And Uncle still flies now, mostly just to keep the feeling of the wind, but also, we learn, to pass that feeling on to a new generation.
As you might expect, coming from two such gifted artists, this is an incredible book. First and foremost it serves as an important introduction to a group of heroes whose contribution to our nation's history must never be forgotten. And it's also just a beautiful book to share with a young child. Johnson's narration is spare and perfect, each word set precisely as a stone in a beautiful mosaic. Long's paintings capture the elegance of the prose in visual form, lifting the viewer up into the wind that Uncle loves, the smooth wind, the magic wind of the Tuskegee wind flyers. This is the sort of book you read through several times just for the experience of it. Sprout can never get enough on just one reading, and often asks us to stop on one page or another, drinking in the heady mixture of poetry and light that is word and picture combined.
Whether you read it for the history, for the airplanes, or just for the lyricism, make sure you add Wind Flyers to your reading list soon. It's a piece of art as smooth as the wind that carries it.
Wind Flyers by Angela Johnson, published by Simon and Schuster
Ages 4-6
Source: Library
First lines: "Great-great-uncle was a wind flyer. A smooth wind flyer. A Tuskegee wind flyer. . . . "
Highly recommended
This post is part of The Children’s Bookshelf, a weekly linky party with the goal of connecting parents with great books for their kids. Do you have a book review, literacy or book-related post that you think will be helpful for parents? If so, please add your link below.
NOTE: By linking up you are giving permission for any of the co-hosts to pin and/or feature a your photo on a future The Children’s Bookshelf post. Kindly link up to an individual post, not your blog’s homepage. The hosts reserve the right to delete any links to homepages, commercial links, repeat links or otherwise inappropriate links. Thank you for your understanding.
You can also follow The Children’s Bookshelf on Pinterest or visit TCB’s co-hosts: Sprout’s Bookshelf, What Do We Do All Day?, No Twiddle Twaddle, Smiling Like Sunshine, My Little Bookcase, The Picture Book Review, MemeTales and Mouse Grows, Mouse Learns. You can find more details here.
Friday, February 1, 2013
Picture Book Review - We March by Shane W. Evans
Today marks the first day of Black History Month here in the United States. While I have mixed feelings about this type of observation -- Black history is ongoing, and our discussions about the history of people of color in our nation shouldn't be confined to one 28 day period -- I do appreciate every attempt to bring diversity into the spotlight. I also applaud efforts like that of The Brown Bookshelf, which sponsors the 28 Days Later series featuring profiles of African American authors and illustrators of children's literature.
These sorts of events bring even more opportunities for Sprout and other children of color to learn about heroes who look like them. And that's important to me, as a parent, because role models are so crucial, both in terms of people you know in your everyday life and those you read and hear about. Because, let's face it: our country was not forged through the efforts of white males alone, but through the blood, sweat, tears and hopes of people of all colors, genders, religions, backgrounds, classes, nationalities, livelihoods, sexual orientations, abilities and ages -- whether or not the history books mention them.
I was thrilled to read today's pick not only because it's by a tremendous author/illustrator but because it takes a pivotal event in African American history -- the March on Washington -- and translates it into a picture book that is accessible and appealing to preschoolers. Shane W. Evans's We March accomplishes this by honing in on one family, relating their experience in participating in this historic event from August 28, 1963.
The book follows father, mother and two children as they rise in the wee hours of the morning, gather at their church and prepare for the day's events. The family paints signs and prays with others, then joins their leaders in a peaceful march through the nation's capital. The crowd Evans depicts is diverse, with young and old, male and female, well and infirm, black and white. "We walk together," writes Evans, picturing the family walking alongside the other marchers. "We sing."
The final spreads in the book shows the family listening to the words of Dr. Martin Luther King, Jr. Evans's last illustration of the great leader is a stirring one, with the brilliant sun shining behind him and Dr. King's powerful words, "Free at last! Free at last! Thank God Almighty we are free at last!" shimmering in the distance. In an afterword, Evans provides an historical context for the events of the day, a nice addition for those planning to use this title in a larger unit on African American history.
What makes We March so memorable, for me, are the simplicity of Evans's narration, and his outstanding illustrations. Every time we pull this off the book stack Sprout just pores over it - not because of intricate detail, because these spreads are very clean and focused, but because of the urgency of the pictures. You feel the excitement radiating from the family, not just from the words but from the images themselves. You feel caught up in the spirit of the march, feel the pull of the enormity of the event as Evans pushes back to feature the crowd gathered at the Lincoln Memorial. Though the events they depict are fifty years gone, Evans's illustrations give the March on Washington an immediacy that brings readers right into the moment, and keeps them there.
As you choose books to read with your children this month, consider how you'll present African American history. Do we remember because it has happened, or do we remember because it is still happening, today, unfolding around us? The history of African Americans, like that of all citizens, affects us all in deep and profoundly moving ways -- and by sharing excellent titles like We March, we can make that history as much present as it ever was past.
We March by Shane W. Evans, published by Roaring Brook Press
All ages
Source: Library
Sample: "We are hot and tired, but we are filled with hope. / We lean on each other / as we march to justice, / to freedom, / to our dreams."
Highly recommended
These sorts of events bring even more opportunities for Sprout and other children of color to learn about heroes who look like them. And that's important to me, as a parent, because role models are so crucial, both in terms of people you know in your everyday life and those you read and hear about. Because, let's face it: our country was not forged through the efforts of white males alone, but through the blood, sweat, tears and hopes of people of all colors, genders, religions, backgrounds, classes, nationalities, livelihoods, sexual orientations, abilities and ages -- whether or not the history books mention them.
I was thrilled to read today's pick not only because it's by a tremendous author/illustrator but because it takes a pivotal event in African American history -- the March on Washington -- and translates it into a picture book that is accessible and appealing to preschoolers. Shane W. Evans's We March accomplishes this by honing in on one family, relating their experience in participating in this historic event from August 28, 1963.
The book follows father, mother and two children as they rise in the wee hours of the morning, gather at their church and prepare for the day's events. The family paints signs and prays with others, then joins their leaders in a peaceful march through the nation's capital. The crowd Evans depicts is diverse, with young and old, male and female, well and infirm, black and white. "We walk together," writes Evans, picturing the family walking alongside the other marchers. "We sing."
The final spreads in the book shows the family listening to the words of Dr. Martin Luther King, Jr. Evans's last illustration of the great leader is a stirring one, with the brilliant sun shining behind him and Dr. King's powerful words, "Free at last! Free at last! Thank God Almighty we are free at last!" shimmering in the distance. In an afterword, Evans provides an historical context for the events of the day, a nice addition for those planning to use this title in a larger unit on African American history.
What makes We March so memorable, for me, are the simplicity of Evans's narration, and his outstanding illustrations. Every time we pull this off the book stack Sprout just pores over it - not because of intricate detail, because these spreads are very clean and focused, but because of the urgency of the pictures. You feel the excitement radiating from the family, not just from the words but from the images themselves. You feel caught up in the spirit of the march, feel the pull of the enormity of the event as Evans pushes back to feature the crowd gathered at the Lincoln Memorial. Though the events they depict are fifty years gone, Evans's illustrations give the March on Washington an immediacy that brings readers right into the moment, and keeps them there.
As you choose books to read with your children this month, consider how you'll present African American history. Do we remember because it has happened, or do we remember because it is still happening, today, unfolding around us? The history of African Americans, like that of all citizens, affects us all in deep and profoundly moving ways -- and by sharing excellent titles like We March, we can make that history as much present as it ever was past.
We March by Shane W. Evans, published by Roaring Brook Press
All ages
Source: Library
Sample: "We are hot and tired, but we are filled with hope. / We lean on each other / as we march to justice, / to freedom, / to our dreams."
Highly recommended
Monday, January 21, 2013
I Have a Dream by Dr. Martin Luther King, Jr. {The Children's Bookshelf}
There are some few books you'll encounter during your travels that you just can't get out of your mind. This often happens to me with books that have a deep emotional impact, either because I read them at a critical moment in my life (i.e. when I was growing up) or because their subject matter touches me right where I live.
Today's pick is one of those books -- I Have a Dream, illustrated by the incomparable Kadir Nelson.
Many of us have read the text of Dr. Martin Luther King, Jr.'s famous "I Have a Dream" speech, delivered on August 28, 1963 at the March on Washington. Personally I'd never heard the entire speech delivered aloud, so the fact that this picture book version comes with an audio CD was pretty incredible for me. But though I'd heard portions of the speech, though I'd read it all in history texts and biographies, I'd never combined those two forms of media with illustrations so powerful they will take your breath away.
This is an emotional experience, my friends.
Nelson selects passages of the speech that he pairs with his incredible paintings (the entire text is reproduced in the afterword). He brings Dr. King's powerful words to life with imagery that cannot fail to move you. From a perspective of the National Mall teeming with crowds present for the March on Washington, Nelson shifts to a closeup of a black hand clasping a white one, then on to a portrait of Dr. King himself. With each passage Nelson finds a way to visually reproduce the depth of feeling in Dr. King's speech, making the reader feel as though he or she is right there listening to this great orator in person.
The most impactful image for me, as the white mother of an African boy, is that of Dr. King's four children. As you might expect, this is accompanied by these words from Dr. King's speech: "I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character." I have that same dream, today, for my own son.
Today we celebrate Dr. King's birthday, and we remember the sacrifices he and so many others made for equality for all persons. Today we will again hear his words, and dream of the day when all people, everywhere, can say they are truly, finally, free.
I Have a Dream by Dr. Martin Luther King, Jr., illustrated by Kadir Nelson, published by Schwartz & Wade Books
All ages
Source: Library
----------------------------------------
This post is part of The Children’s Bookshelf, a weekly linky party with the goal of connecting parents with great books for their kids. Do you have a book review, literacy or book-related post that you think will be helpful for parents? If so, please add your link below.
NOTE: By linking up you are giving permission for any of the co-hosts to pin and/or feature a your photo on a future The Children’s Bookshelf post. Kindly link up to an individual post, not your blog’s homepage. The hosts reserve the right to delete any links to homepages, commercial links, repeat links or otherwise inappropriate links. Thank you for your understanding.
You can also follow The Children’s Bookshelf on Pinterest or visit TCB’s co-hosts: Sprout’s Bookshelf, What Do We Do All Day?, No Twiddle Twaddle, Smiling Like Sunshine, My Little Bookcase, The Picture Book Review, MemeTales and Mouse Grows, Mouse Learns. You can find more details here.
Today's pick is one of those books -- I Have a Dream, illustrated by the incomparable Kadir Nelson.
Many of us have read the text of Dr. Martin Luther King, Jr.'s famous "I Have a Dream" speech, delivered on August 28, 1963 at the March on Washington. Personally I'd never heard the entire speech delivered aloud, so the fact that this picture book version comes with an audio CD was pretty incredible for me. But though I'd heard portions of the speech, though I'd read it all in history texts and biographies, I'd never combined those two forms of media with illustrations so powerful they will take your breath away.
This is an emotional experience, my friends.
Nelson selects passages of the speech that he pairs with his incredible paintings (the entire text is reproduced in the afterword). He brings Dr. King's powerful words to life with imagery that cannot fail to move you. From a perspective of the National Mall teeming with crowds present for the March on Washington, Nelson shifts to a closeup of a black hand clasping a white one, then on to a portrait of Dr. King himself. With each passage Nelson finds a way to visually reproduce the depth of feeling in Dr. King's speech, making the reader feel as though he or she is right there listening to this great orator in person.
The most impactful image for me, as the white mother of an African boy, is that of Dr. King's four children. As you might expect, this is accompanied by these words from Dr. King's speech: "I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character." I have that same dream, today, for my own son.
Today we celebrate Dr. King's birthday, and we remember the sacrifices he and so many others made for equality for all persons. Today we will again hear his words, and dream of the day when all people, everywhere, can say they are truly, finally, free.
I Have a Dream by Dr. Martin Luther King, Jr., illustrated by Kadir Nelson, published by Schwartz & Wade Books
All ages
Source: Library
----------------------------------------
This post is part of The Children’s Bookshelf, a weekly linky party with the goal of connecting parents with great books for their kids. Do you have a book review, literacy or book-related post that you think will be helpful for parents? If so, please add your link below.
NOTE: By linking up you are giving permission for any of the co-hosts to pin and/or feature a your photo on a future The Children’s Bookshelf post. Kindly link up to an individual post, not your blog’s homepage. The hosts reserve the right to delete any links to homepages, commercial links, repeat links or otherwise inappropriate links. Thank you for your understanding.
You can also follow The Children’s Bookshelf on Pinterest or visit TCB’s co-hosts: Sprout’s Bookshelf, What Do We Do All Day?, No Twiddle Twaddle, Smiling Like Sunshine, My Little Bookcase, The Picture Book Review, MemeTales and Mouse Grows, Mouse Learns. You can find more details here.
Saturday, January 19, 2013
Picture Book Review - Unspoken by Henry Cole
Next week I'll be attending the ALA Midwinter convention, and I'm pretty much thrilled. Not only is it my first trade show as an almost-librarian, it's also the one where the ALA Youth Media Awards are announced. You probably know these awards more by their individual names: Caldecott, Newbery, Printz, Coretta Scott King, Sibert, etc. This is a big deal for us kidlit folks - think the Oscars for children's book geeks. Swoon!
The Awards will be announced on Monday, and the kidlitosphere is all abuzz in predictions. (Pragmatic Mom has a nice rundown of the frontrunners compiled from some heavy hitters in kidlit.) Usually I don't dip my toe into those waters, preferring to watch from the sidelines and root for my own favorites to take the top prize, or at least an Honor. But this year I'm putting it out there in the form of my own pick for the Caldecott, the prize for illustration: Unspoken by Henry Cole.
Unspoken, according to the author's note, arose out of his history of living in Loudoun County, Virginia, an area steeped in connections to the Civil War. Cole reports growing up hearing stories from elderly relatives, themselves connected in some way to people who had lived during the war. And so, Cole recounts, "It's not so suprising that I wanted to create a picture book that was evocative of that era. . . . I wanted to tell -- or show -- the courage of everyday people who were brave in quiet ways."
And that's exactly what Cole has done. In this evocative book, we are transported to a homestead during the Civil War, when a young girl living on the farm discovers a runaway slave hiding in the family's barn. She knows what she's expected to do, to raise the alarm, and yet the look in the stranger's eyes convinces her otherwise. She begins to sneak out food, day by day, bit by bit. Then one day slavers come looking, asking questions. The girl watches, hidden, and fearful for her friend's life. Later, she sneaks to the barn, underneath the night sky with the North Star shining bright overhead. And there she finds her friend has gone, but left behind a gift: a smiling doll, fashioned from the cornstalks behind which the slave found refuge.
Unspoken is a bit of an unusual choice for an award winner: it features a black-and-white palette AND it's wordless. The two characteristics themselves aren't that uncommon - Chris Van Allsburg won the prize for his black-and-white Jumanji, for instance, and Jerry Pinkney for the wordless The Lion and the Mouse. But the two together? That's a bit of a stretch for some. And then let's not forget that this is a historical title to boot.
But quite honestly I don't think any of these factors, taken singly or together, should stand in the way of Cole receiving the top honor this year. Because this, my friends, is a simply extraordinary picture book. There's so much we don't know -- who the slave is, why he or she found this place, where he/she is headed next -- but none of that alters one bit of the power of this story. Cole's use of pencil brings the stark contrast of light and dark to the forefront, where it belongs in a book about slavery and the Underground Railroad. The expressiveness of the features on the characters, in particular our heroine, communicates so much beyond the thread of narrative - it tells of the emotions that surround the difficult choice one girl must make, the connection she feels to someone she knows not at all, and the fear she experiences when it seems her bravery may be uncovered. Cole goes far beyond technical skill here, to tell a story of courage in the face of danger, of hope in the midst of unspeakable fear.
Unspoken, for me, elevates the picture book format to art form in a way that I think might cause even non-picture book fans to stop and take note. And, whether or not the committee agrees, that's the mark of a winner in my eyes.
Unspoken by Henry Cole, published by Scholastic Press
Ages 4 and up
Source: Library
Highly recommended
Bonus: a review of Unspoken from Kirkus Reviewer Julie Danielson
The Awards will be announced on Monday, and the kidlitosphere is all abuzz in predictions. (Pragmatic Mom has a nice rundown of the frontrunners compiled from some heavy hitters in kidlit.) Usually I don't dip my toe into those waters, preferring to watch from the sidelines and root for my own favorites to take the top prize, or at least an Honor. But this year I'm putting it out there in the form of my own pick for the Caldecott, the prize for illustration: Unspoken by Henry Cole.
Unspoken, according to the author's note, arose out of his history of living in Loudoun County, Virginia, an area steeped in connections to the Civil War. Cole reports growing up hearing stories from elderly relatives, themselves connected in some way to people who had lived during the war. And so, Cole recounts, "It's not so suprising that I wanted to create a picture book that was evocative of that era. . . . I wanted to tell -- or show -- the courage of everyday people who were brave in quiet ways."
And that's exactly what Cole has done. In this evocative book, we are transported to a homestead during the Civil War, when a young girl living on the farm discovers a runaway slave hiding in the family's barn. She knows what she's expected to do, to raise the alarm, and yet the look in the stranger's eyes convinces her otherwise. She begins to sneak out food, day by day, bit by bit. Then one day slavers come looking, asking questions. The girl watches, hidden, and fearful for her friend's life. Later, she sneaks to the barn, underneath the night sky with the North Star shining bright overhead. And there she finds her friend has gone, but left behind a gift: a smiling doll, fashioned from the cornstalks behind which the slave found refuge.
Unspoken is a bit of an unusual choice for an award winner: it features a black-and-white palette AND it's wordless. The two characteristics themselves aren't that uncommon - Chris Van Allsburg won the prize for his black-and-white Jumanji, for instance, and Jerry Pinkney for the wordless The Lion and the Mouse. But the two together? That's a bit of a stretch for some. And then let's not forget that this is a historical title to boot.
But quite honestly I don't think any of these factors, taken singly or together, should stand in the way of Cole receiving the top honor this year. Because this, my friends, is a simply extraordinary picture book. There's so much we don't know -- who the slave is, why he or she found this place, where he/she is headed next -- but none of that alters one bit of the power of this story. Cole's use of pencil brings the stark contrast of light and dark to the forefront, where it belongs in a book about slavery and the Underground Railroad. The expressiveness of the features on the characters, in particular our heroine, communicates so much beyond the thread of narrative - it tells of the emotions that surround the difficult choice one girl must make, the connection she feels to someone she knows not at all, and the fear she experiences when it seems her bravery may be uncovered. Cole goes far beyond technical skill here, to tell a story of courage in the face of danger, of hope in the midst of unspeakable fear.
Unspoken, for me, elevates the picture book format to art form in a way that I think might cause even non-picture book fans to stop and take note. And, whether or not the committee agrees, that's the mark of a winner in my eyes.
Unspoken by Henry Cole, published by Scholastic Press
Ages 4 and up
Source: Library
Highly recommended
Bonus: a review of Unspoken from Kirkus Reviewer Julie Danielson
Friday, January 11, 2013
Nonfiction Review - They Called Themselves the KKK by Susan Campbell Bartoletti
This past semester I was fortunate to take a class on teen literature. We read some amazing stuff over the course of the 16 weeks in the class, and my professor really made every attempt to introduce us to a diverse cross-section of books for teens. One unfortunate side effect, however, was that my already formidable TBR list grew by leaps and bounds (sadly, my available reading time did not grow with it, so who knows when I'll get to all these wonderful books, but that's another problem).
One of the titles we read that really blew me away was Susan Campbell Bartoletti's nonfiction selection Hitler Youth: Growing Up in Hitler's Shadow. Not only was the subject matter fascinating -- the effect of Nazism on tweens and teens who became part of the movement -- but Bartoletti's writing is top-notch. While never sensationalizing events, she has the ability to pull you into the story and absolutely compel you to keep reading, to find out how life turned out for the young men and women Bartoletti focuses on. The book was recognized with a number of awards, including a Newbery Honor and a Sibert Honor, and for good reason, because it's simply incredible.
Reading Hitler Youth left me wanting more from this talented author, so I turned to her more recent book They Called Themselves the KKK, published in 2010. This is another fascinating historical account, this time centering on the formation of the Ku Klux Klan in the period of post-Civil War Reconstruction. I knew little to nothing about the KKK's history, so I went into this one entirely fresh, and was amazed at the depth of historical detail Bartoletti was able to uncover.
Her story takes up right after the Civil War concludes, when the Southern states were still reeling from their devastation and defeat at the hands of the Union soldiers. Tennessee was particularly hard hit, and the residents of Pulaski, TN worried about their future in a country that intended to see the South punished for their rebellion. Six Pulaski men took up meeting in the evenings to reminsce about "the good old days" before war ravaged their region; it was at one of these meetings that the Ku Klux Klan was formed, as a club for men who shared the six friends' ethos.
To say the Klan took off like wildfire is an understatement. Bartoletti traces the rapid spread of the KKK through the South and also the tactics that caused its membership to swell, even if many of the new recruits joined against their will. To oppose the Klan was to risk reprisal, and few young men were willing to risk it. And very soon the Klan began to take steps to protect its members and other white Southerners from what it felt were overly punitive and biased laws and mandates.
Of course, we all know of the violence and bloodshed that was left in the wake of the KKK, but it is here that Bartoletti's book becomes most moving. She traces first-hand accounts from former slaves and others who stood up to the Klan and were severely punished for their trouble. Stories like that of disabled preacher Elias Hill, whose sermons caused the Klan to target him for inciting black-on-white violence, provide an essentially personal element to this period of history. Throughout the book, reproductions of photographs, illustrations and historical documents add depth and bring out the poignant moments of human suffering described in Bartoletti's text. Much of it is horrifying, and yet critical to understand events that followed, most notably the Civil Rights Movement.
With excellent resources like this well-researched and riveting book, history truly comes alive for students, in a way no dry textbook can do. It's easy to condemn the actions that were carried out by the KKK -- far harder to analyze what events brought the Klan to power and how its effects lingered for years afterward, even to this day. I so admire the balance, sensitivity and accuracy Bartoletti employs in this account, which should be required reading for every student of American history.
They Called Themselves the KKK by Susan Campbell Bartoletti, published by Houghton Mifflin
Ages 13+
Source: Library
Sample: "Despite the Klan's terror tactics, freedmen turned out to vote in extraordinary numbers. In Spartanburgh County, South Carolina, for instance, freedmen swam rivers, waded streams, and walked miles to reach the polls. 'A man can kill me,' explained Henry Lipscomb, 'but he can't scare me.'"
Recommended
Bonus: Susan Campbell Bartoletti's visit to a KKK rally as background research
One of the titles we read that really blew me away was Susan Campbell Bartoletti's nonfiction selection Hitler Youth: Growing Up in Hitler's Shadow. Not only was the subject matter fascinating -- the effect of Nazism on tweens and teens who became part of the movement -- but Bartoletti's writing is top-notch. While never sensationalizing events, she has the ability to pull you into the story and absolutely compel you to keep reading, to find out how life turned out for the young men and women Bartoletti focuses on. The book was recognized with a number of awards, including a Newbery Honor and a Sibert Honor, and for good reason, because it's simply incredible.
Reading Hitler Youth left me wanting more from this talented author, so I turned to her more recent book They Called Themselves the KKK, published in 2010. This is another fascinating historical account, this time centering on the formation of the Ku Klux Klan in the period of post-Civil War Reconstruction. I knew little to nothing about the KKK's history, so I went into this one entirely fresh, and was amazed at the depth of historical detail Bartoletti was able to uncover.
Her story takes up right after the Civil War concludes, when the Southern states were still reeling from their devastation and defeat at the hands of the Union soldiers. Tennessee was particularly hard hit, and the residents of Pulaski, TN worried about their future in a country that intended to see the South punished for their rebellion. Six Pulaski men took up meeting in the evenings to reminsce about "the good old days" before war ravaged their region; it was at one of these meetings that the Ku Klux Klan was formed, as a club for men who shared the six friends' ethos.
To say the Klan took off like wildfire is an understatement. Bartoletti traces the rapid spread of the KKK through the South and also the tactics that caused its membership to swell, even if many of the new recruits joined against their will. To oppose the Klan was to risk reprisal, and few young men were willing to risk it. And very soon the Klan began to take steps to protect its members and other white Southerners from what it felt were overly punitive and biased laws and mandates.
Of course, we all know of the violence and bloodshed that was left in the wake of the KKK, but it is here that Bartoletti's book becomes most moving. She traces first-hand accounts from former slaves and others who stood up to the Klan and were severely punished for their trouble. Stories like that of disabled preacher Elias Hill, whose sermons caused the Klan to target him for inciting black-on-white violence, provide an essentially personal element to this period of history. Throughout the book, reproductions of photographs, illustrations and historical documents add depth and bring out the poignant moments of human suffering described in Bartoletti's text. Much of it is horrifying, and yet critical to understand events that followed, most notably the Civil Rights Movement.
With excellent resources like this well-researched and riveting book, history truly comes alive for students, in a way no dry textbook can do. It's easy to condemn the actions that were carried out by the KKK -- far harder to analyze what events brought the Klan to power and how its effects lingered for years afterward, even to this day. I so admire the balance, sensitivity and accuracy Bartoletti employs in this account, which should be required reading for every student of American history.
They Called Themselves the KKK by Susan Campbell Bartoletti, published by Houghton Mifflin
Ages 13+
Source: Library
Sample: "Despite the Klan's terror tactics, freedmen turned out to vote in extraordinary numbers. In Spartanburgh County, South Carolina, for instance, freedmen swam rivers, waded streams, and walked miles to reach the polls. 'A man can kill me,' explained Henry Lipscomb, 'but he can't scare me.'"
Recommended
Bonus: Susan Campbell Bartoletti's visit to a KKK rally as background research
Saturday, December 22, 2012
12 Days of Christmas Picture Books - The Road to Bethlehem: An Ethiopian Nativity by Elizabeth Laird
It's Day 10 of our 12 Days of Christmas Picture Books series. Christmas excitement is at an all-time high around here, as we're feverishly counting down the last few days of our advent calendar and wondering when some presents are going to appear under the tree. Meanwhile, Santa and Mrs. Claus are trying to sneak in opportunities for gift-wrapping when our little elf is asleep - easier said than done as we no longer have the luxury of naptime for chores like these!
Today's pick is one for our fellow Ethiopian adoptive families. I ran across this book almost exactly a year ago, and have been excited to share it as part of this year's Christmas books countdown. For adoptive families looking for ways to keep their children connected to their heritage, understanding and appreciating the religious traditions in their child's birth country is essential. While there are several great children's books by and about Ethiopians, there aren't a whole lot that center around the Orthodox tradition in Ethiopia. It's a shame, really, because Ethiopia's connection with religious traditions (Christianity, Judaism and Islam) are fundamental to its identity as a nation.
So on to today's book -- The Road to Bethlehem: An Ethiopian Nativity by Elizabeth Laird. This book is special because it really reveals the unique heritage of the Christian church in Ethiopia, both through its text and through its illustrations. Laird takes her inspiration from the text from ancient manuscripts, many of which are reproduced in the paintings in the book. She takes the long view of the nativity story, telling us of the Holy Family's origins as well as what happens after Jesus's birth. Those more familiar with Western Christianity may find some aspects of the story are related differently, but there are many similarities here as well. And the artwork -- it's soulful and stirring, full of the details and colors that make Ethiopian art distinct from other religious iconography.
This is a long title and one that will be best shared with older children. I can see older adoptees in particular finding a conection with this title, both through the stories Laird tells and through the art that is included. Adoptive families may consider tracking down a copy (it's out of print, sadly, but you can find used copies through some sources) and making it part of their annual Christmas tradition. It's a wonderful bridge between cultures that honors all parts of the Christmas story.
The Road to Bethlehem: An Ethiopian Nativity by Elizabeth Laird, published by Henry Holt
Ages 6-12, or read to the whole family
Source: Library
Sample: "Mary grew to be full of grace. She was of medium height, with a face the color of ripe wheat. Her eyes were brown and bright, and her eyebrows black and arched. Her face was oval and her nose was long. She spoke clearly and fearlessly, and was seldon angry. She was simple, and humble, she wore plain, homespun clothes, and she listened to people when they talked to her."
Recommended
Today's pick is one for our fellow Ethiopian adoptive families. I ran across this book almost exactly a year ago, and have been excited to share it as part of this year's Christmas books countdown. For adoptive families looking for ways to keep their children connected to their heritage, understanding and appreciating the religious traditions in their child's birth country is essential. While there are several great children's books by and about Ethiopians, there aren't a whole lot that center around the Orthodox tradition in Ethiopia. It's a shame, really, because Ethiopia's connection with religious traditions (Christianity, Judaism and Islam) are fundamental to its identity as a nation.
So on to today's book -- The Road to Bethlehem: An Ethiopian Nativity by Elizabeth Laird. This book is special because it really reveals the unique heritage of the Christian church in Ethiopia, both through its text and through its illustrations. Laird takes her inspiration from the text from ancient manuscripts, many of which are reproduced in the paintings in the book. She takes the long view of the nativity story, telling us of the Holy Family's origins as well as what happens after Jesus's birth. Those more familiar with Western Christianity may find some aspects of the story are related differently, but there are many similarities here as well. And the artwork -- it's soulful and stirring, full of the details and colors that make Ethiopian art distinct from other religious iconography.
This is a long title and one that will be best shared with older children. I can see older adoptees in particular finding a conection with this title, both through the stories Laird tells and through the art that is included. Adoptive families may consider tracking down a copy (it's out of print, sadly, but you can find used copies through some sources) and making it part of their annual Christmas tradition. It's a wonderful bridge between cultures that honors all parts of the Christmas story.
The Road to Bethlehem: An Ethiopian Nativity by Elizabeth Laird, published by Henry Holt
Ages 6-12, or read to the whole family
Source: Library
Sample: "Mary grew to be full of grace. She was of medium height, with a face the color of ripe wheat. Her eyes were brown and bright, and her eyebrows black and arched. Her face was oval and her nose was long. She spoke clearly and fearlessly, and was seldon angry. She was simple, and humble, she wore plain, homespun clothes, and she listened to people when they talked to her."
Recommended
Sunday, November 25, 2012
30 Days of Picture Books - Abe Lincoln's Dream by Lane Smith
It's Day 25 of Picture Book Month. Today I'm thinking about history. Picture books are a terrific way for us to introduce young children to historical events and people, in a way that is accessible and relatable for them. They are also an important way to make connections between events of the past and our lives now. After all, history influences many parts of our daily interactions, our belief systems, our freedoms to live our daily lives.
Of course nonfiction picture books are one way to introduce kids to history, but there are also loads of fictionalized biographies and imaginative stories that do the same thing. Some of these include made-up scenarios and personas, but lest you reject these titles for those reasons, consider how much we as adults can glean from historical fiction or movie dramatizations. Sure, not every aspect is strictly true, but in the sense that these types of materials bring past events to life and help point out the relevance of history to modern-day existence, they can be enormously valuable when used in specific contexts.
Today's pick is phenomenal not only for its take on one of our greatest Presidents, but also for its imagination and heart. Lane Smith is a legend in kidlit circles, and with his latest effort, Abe Lincoln's Dream, he has once again produced a book that will both delight and inspire. Quincy is a young African American girl who's touring the White House with her class. She stumbles on the figure of a tall man in a black suit and stovepipe hat: Abe Lincoln, of course. It's soon revealed that Lincoln is a ghost, but not a scary sort -- he's hanging around because he wants to know how everything turned out in modern-day America.
The unlikely pair goes on an aerial tour of the nation. Lincoln queries Quincy about various states of the Union ("And equality for all?" Lincoln wants to know; "It's getting better all the time." Quincy replies). At the end of their journey, Quincy takes Lincoln to the moon, where he's astonished to see an American flag. And at last, it seems, the President is able to rest in peace.
Abe Lincoln's Dream is beautifully illustrated, with a bold design component that's stunning. Visually there are so many striking elements: the long-legged President strolling through the White House Rose Garden, Quincy and Lincoln soaring over the Statue of Liberty, and the final spread of Lincoln sailing away on the River Queen. Throughout the narrative, there are lots of significant historical elements, which provide plenty of opportunities to talk and think about these things with young readers. But this is the kind of title that older kids would enjoy as well -- not only is it powerful to look at, it's also a book that functions on many different layers.
This is an imaginative story that's as much a tribute to a beloved President as it is a celebration of all our nation stands for. Lane Smith has once again given us a wholly original, fully realized picture book that all ages will enjoy.
Abe Lincoln's Dream by Lane Smith, published by Roaring Brook Press
Of course nonfiction picture books are one way to introduce kids to history, but there are also loads of fictionalized biographies and imaginative stories that do the same thing. Some of these include made-up scenarios and personas, but lest you reject these titles for those reasons, consider how much we as adults can glean from historical fiction or movie dramatizations. Sure, not every aspect is strictly true, but in the sense that these types of materials bring past events to life and help point out the relevance of history to modern-day existence, they can be enormously valuable when used in specific contexts.
Today's pick is phenomenal not only for its take on one of our greatest Presidents, but also for its imagination and heart. Lane Smith is a legend in kidlit circles, and with his latest effort, Abe Lincoln's Dream, he has once again produced a book that will both delight and inspire. Quincy is a young African American girl who's touring the White House with her class. She stumbles on the figure of a tall man in a black suit and stovepipe hat: Abe Lincoln, of course. It's soon revealed that Lincoln is a ghost, but not a scary sort -- he's hanging around because he wants to know how everything turned out in modern-day America.
The unlikely pair goes on an aerial tour of the nation. Lincoln queries Quincy about various states of the Union ("And equality for all?" Lincoln wants to know; "It's getting better all the time." Quincy replies). At the end of their journey, Quincy takes Lincoln to the moon, where he's astonished to see an American flag. And at last, it seems, the President is able to rest in peace.
Abe Lincoln's Dream is beautifully illustrated, with a bold design component that's stunning. Visually there are so many striking elements: the long-legged President strolling through the White House Rose Garden, Quincy and Lincoln soaring over the Statue of Liberty, and the final spread of Lincoln sailing away on the River Queen. Throughout the narrative, there are lots of significant historical elements, which provide plenty of opportunities to talk and think about these things with young readers. But this is the kind of title that older kids would enjoy as well -- not only is it powerful to look at, it's also a book that functions on many different layers.
This is an imaginative story that's as much a tribute to a beloved President as it is a celebration of all our nation stands for. Lane Smith has once again given us a wholly original, fully realized picture book that all ages will enjoy.
Abe Lincoln's Dream by Lane Smith, published by Roaring Brook Press
Thursday, February 2, 2012
Nonfiction Picture Book - Belle, the Last Mule at Gee's Bend by Calvin Alexander Ramsey and Bettye Stroud
So much of history is in the telling. When presented as a recitation of facts, dates, events, it can be pretty dry, as anyone who took World History 101 in college can probably confirm (the most exciting thing was waiting for the prof to nod off during the lecture). But when made personal, when fleshed out with actual people and details and colorful back stories, then it comes alive and suddenly seems relevant to your life.
Such is the case with the Civil Rights Movement. Arguably one of the most important periods in our country's history, and a time chock-full of passion, dedication, emotion and fevered anxiety on all sides -- and yet, for many kids, I suspect this too has been boiled down to a timeline of key events. Critical to know, of course, but not very real, not very personal.
Into that gap rides Belle, the Last Mule at Gee's Bend. Belle epitomizes the quality that exists in nonfiction picture books today; authors Calvin Alexander Ramsey and Bettye Stroud have done their homework, taken a story rooted in actual fact and brought it to life with the introduction of some wholly believable fictional characters. Coupled with the extraordinary artistic renderings of John Holyfield, the result is a knock-out piece of publishing that belongs on every library and classroom shelf.
The story centers around the people of Gee's Bend, Alabama, and the part they played in the struggle for civil rights for all citizens. "Benders", as these folks were known, didn't have much, but they had determination and belief in the cause. Stirred by a visit from Dr Martin Luther King Jr., the Benders pluck up the courage to take the ferry to Camden and register to vote. Upon arriving there, they are stopped by the white sheriff, who has shut the ferry down. But the Benders will not be swayed -- instead, they pack up their wagons and hitch up their mules, Belle included, and make the trip all the way around the river to register.
It's not a peaceful resolution. Life in Gee's Bend gets even harder in the wake of the backlash that results from their actions. But the Benders soldier on. And then in April 1968, Dr King is killed. The grief that sweeps through the nation is felt even more strongly in Gee's Bend. But some of that grief is eased when the Benders find out that it was Dr King's wish to have mules pull the wagon with his coffin. And so Belle and Ada, the mules of Gee's Bend, become part of history, a further manifestation of all the quiet determination of their owners and others who fought for civil rights.
Framing the story around young Alex, who has come to Gee's Bend with his mother and hears the story from Belle's owner, is a touch of genius on Ramsey and Stroud's part. They skillfully weave in the interaction between Alex and Miz Pettway, making Belle's tale an organic part of the conversation. And in so doing, they bring home the impact of history. Young readers will mirror Alex's dawning realization, as he comes to recognize that the people he's learned about in school were flesh and blood, just like himself and his family, not just characters in a book. Talk about bringing history to life -- Ramsey and Stroud do it in such a way that readers won't even think about this as a tale from "long ago". Vivid, emotional details in the illustrations emphasize the reality even further, from the gentle smiles of the Gee's Bend quilters to the placid dignity of Belle and Ada, pulling Dr King's coffin through the streets.
Read this one with your kids, with your students, or just for yourself. Read it and remember.
Belle, the Last Mule at Gee's Bend by Calvin Alexander Ramsey and Bettye Stroud, published by Candlewick Press
Ages 8-12
Source: Library
Sample: "But we must have scared the white folks in Camden, because the next thing we knew, they shut down the ferry. The white sheriff was a big bully who wanted to keep us in our place. He told reporters, 'We didn't close the ferry because they were black. We closed it because they forgot they were black.'"
Highly recommended
Bonus: interview with illustrator John Holyfield at The Brown Bookshelf
Such is the case with the Civil Rights Movement. Arguably one of the most important periods in our country's history, and a time chock-full of passion, dedication, emotion and fevered anxiety on all sides -- and yet, for many kids, I suspect this too has been boiled down to a timeline of key events. Critical to know, of course, but not very real, not very personal.
Into that gap rides Belle, the Last Mule at Gee's Bend. Belle epitomizes the quality that exists in nonfiction picture books today; authors Calvin Alexander Ramsey and Bettye Stroud have done their homework, taken a story rooted in actual fact and brought it to life with the introduction of some wholly believable fictional characters. Coupled with the extraordinary artistic renderings of John Holyfield, the result is a knock-out piece of publishing that belongs on every library and classroom shelf.
The story centers around the people of Gee's Bend, Alabama, and the part they played in the struggle for civil rights for all citizens. "Benders", as these folks were known, didn't have much, but they had determination and belief in the cause. Stirred by a visit from Dr Martin Luther King Jr., the Benders pluck up the courage to take the ferry to Camden and register to vote. Upon arriving there, they are stopped by the white sheriff, who has shut the ferry down. But the Benders will not be swayed -- instead, they pack up their wagons and hitch up their mules, Belle included, and make the trip all the way around the river to register.
It's not a peaceful resolution. Life in Gee's Bend gets even harder in the wake of the backlash that results from their actions. But the Benders soldier on. And then in April 1968, Dr King is killed. The grief that sweeps through the nation is felt even more strongly in Gee's Bend. But some of that grief is eased when the Benders find out that it was Dr King's wish to have mules pull the wagon with his coffin. And so Belle and Ada, the mules of Gee's Bend, become part of history, a further manifestation of all the quiet determination of their owners and others who fought for civil rights.
Framing the story around young Alex, who has come to Gee's Bend with his mother and hears the story from Belle's owner, is a touch of genius on Ramsey and Stroud's part. They skillfully weave in the interaction between Alex and Miz Pettway, making Belle's tale an organic part of the conversation. And in so doing, they bring home the impact of history. Young readers will mirror Alex's dawning realization, as he comes to recognize that the people he's learned about in school were flesh and blood, just like himself and his family, not just characters in a book. Talk about bringing history to life -- Ramsey and Stroud do it in such a way that readers won't even think about this as a tale from "long ago". Vivid, emotional details in the illustrations emphasize the reality even further, from the gentle smiles of the Gee's Bend quilters to the placid dignity of Belle and Ada, pulling Dr King's coffin through the streets.
Read this one with your kids, with your students, or just for yourself. Read it and remember.
Belle, the Last Mule at Gee's Bend by Calvin Alexander Ramsey and Bettye Stroud, published by Candlewick Press
Ages 8-12
Source: Library
Sample: "But we must have scared the white folks in Camden, because the next thing we knew, they shut down the ferry. The white sheriff was a big bully who wanted to keep us in our place. He told reporters, 'We didn't close the ferry because they were black. We closed it because they forgot they were black.'"
Highly recommended
Bonus: interview with illustrator John Holyfield at The Brown Bookshelf
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